FEATURE FILM

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É Tempo de Amoras (2025), dir. Anahí Borges 

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SHORT FILM​

​​Peça Única (in post), dir. Gustavo de Carvalho 

Kavanah (in post), dir. Zoë Naiman Rozenbaum

Vende-se (in post), dir. Larissa Murai, Luigi Parisi

Buona Fortuna (2025), dir. Hunter Whaley

Arame Farpado (2025), dir. Gustavo de Carvalho 

Brincadeira de Criança (2025), dir. João Toldi 

Estrelas de um só hit (2022), dir. Luisa Guarnieri 

​Fé salgada (2021), dir. Bia Pinho e Victoria Zolli

No meu tempo (2020), dir. Gabriel Scherer 

Cinéfilo com causa (2020), dir. Catarina Forbes 

Ano do Gato (2019), dir. Luisa Guarnieri 

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CAMERA OPERATOR

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Cangaço Novo Season 2 (2026) - C camera, dir. Fabinho Mendonça & Caito Ortiz, DoP Pedro Sotero, ABC

Glaxo (2026) - Additional Camera, dir. Benjamin Naishtat, DoP Pedro Sotero, ABC

O Gênio Do Crime (2026) - B Camera, dir. Lipe Binder, DoP Pedro Sotero, ABC

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CINEMATOGRAPHY CREATIVE ASSISTANT

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Senna (2024) | DOP Azul Serra, ABC

​Meu Nome é Gal (2023) | DOP Pedro Sotero, ABC

Betinho (2023) | DOP Pedro Sotero, ABC

Homem com H (2024) | DOP Azul Serra, ABC

Sintonia S05 (2024) | DOP Pedro Sotero, ABC, Rafael Martinelli

Cangaço Novo S02 (2025) | DOP Pedro Sotero, ABC

Glaxo (2026) | DOP Pedro Sotero, ABC

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VFX CREW

Senna (2024) | VFX Sup Assistant / Data Wrangler

Glaxo (2026) | VFX Sup (Rear Projection Segments)

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• Content team at Iris - Brazilian Cinematographer Magazine (iriscine.com)

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• Commercials and Music Videos

• Film School, FAAP;

• Terre De Cinema - 35mm Cinematography Residence;

• Camera Operator, Sandro Galvão and Diego Garc, 40 hours;

• Lighting - Narrative and craft, Alziro Barbosa, ABC, 30 hours;

• Lighting - Temperature and Color , Alziro Barbosa, ABC, 30 hours;

• Composition and decoupage, Alziro Barbosa, ABC, 30 hours;

• Exposure and technique, Alziro Barbosa, ABC, 20 hours;

• Optics and perspective, Alziro Barbosa, ABC, 20 hours;

• Special lighting, Alziro Barbosa, ABC, 25 hours;

• Image structure and post production, Alziro Barbosa, ABC and Leando Lamezi, 20 hours;

• The visible and invisible in the image, Azul Serra, 14 hours;

• Cinematography, Helô Passos, 16 hours;

• Color grading, Leandro Lamezi, 15 hours;

• G&E, Álvaro Brito, 12 hours.

• English

• Spanish

• Portuguese